Chris Daughtry returned to Boston with a vengeance — not to relive the past, but to reforge it. The rock powerhouse behind “Home” and “It’s Not Over” has rebranded with a darker, heavier edge, and the result is nothing short of electric.
Opening with “The Day I Die,” “Seeds,” and “Bottom,” Daughtry pulled fans into the depths early. The heavy riffs and emotional grit reflected an artist who has weathered storms and come out sharper. His message to the crowd — “There’s always light on the other side of the darkness. I promise you that.” — landed like a promise kept.
The Boston audience soaked up every note, riding the emotional highs and lows as Daughtry blended his rock roots with a new metal pulse. The cover, “Separate Ways” carried that power into familiar territory, giving the classic a fresh, thunderous weight.
When he slowed down for “Pieces,” the room exhaled. “It’s Not Over” felt reborn — same song, new scars. The performance revealed a frontman who isn’t afraid to evolve or get vulnerable in the process.
Then came a quiet moment — Daughtry alone with his guitar for “Just Me and You.” Stripped of all production, it was just raw artistry. You could hear a pin drop before the applause roared back.
From “Home” to “Terrified” and the powerful encore “Heavy Is the Crown,” the night charted a story of rebirth. Each song traced the line between pain and purpose, reminding fans why they’ve stuck with him all these years.
Boston didn’t just watch — they felt it. The energy was electric, the crowd fully in step with his new sound.
The Day I Die
Seeds
Bottom
Separate Ways
Pieces
Just Me and You (acoustic)
Home
Terrified
Heavy Is the Crown (Encore)
Mixtape with Bonnie’s Stage Storm: Fall 2025
October 4, 2024, Rockport, MA
Joss Stone brought her signature warmth, humor, and powerhouse vocals to the Shalin Liu Performance Center in Rockport, Massachusetts, on Saturday, October 4, 2025. The stop on her Less Is More tour felt more like an evening among friends than a traditional concert — fitting for the artist who has spent two decades building connection through conversation and soul.
Dressed in a flowing yellow dress, barefoot and beaming, Stone opened the night with the title track “Less Is More,” instantly filling the intimate, oceanfront venue with her easy joy. She joked with the audience about making “a proper cup of tea” before a show, confessed her admiration for Alison Krauss, and offered a sweet nod to Tom Petty with “You Belong Among the Wildflowers.”
Midway through the set, she invited Gareth a from Northern Ireland to join her for a duet, their harmonies rich and unguarded. Stone’s setlist blended her own hits — including “Super Duper Love” and “Walk With Me” — with soulful covers like James Bay’s “Let It Go,” “Midnight Train to Georgia,” “Say a Little Prayer,” and a smoldering “I Put a Spell on You.” Between songs, she mused about identity, kindness, and the challenge of “saying the wrong thing” in a world that’s quick to react, her tone thoughtful but never heavy.
A highlight came with “Sensimilla,” her playful ode to relaxation, which had the crowd laughing and swaying in rhythm. By the time she returned for an encore of “Right to Be Wrong,” the audience was on its feet — not just for the music, but for the spirit she carried into the room.
In a world of overproduction and flash, Joss Stone proved once again that authenticity, heart, and a voice that can raise the rafters are more than enough. In Rockport, less truly was more.
Review: Bonnie for WSCA FM, Portsmouth Community Radio
Photos: Bonnie M.
Instagram: @photographybybonnie
Tiktok: @photographybybonnie
Mixtape with Bonnie’s Stage Storm: Fall 2025
House of Blues Boston – September 20, 2025
Mixtape with Bonnie's Stage Storm: Fall 2025
It was a crisp, cool Saturday night in Boston, and the House of Blues was buzzing long before Wolf Alice took the stage. The venue was packed tight for opener Willy Mason, whose folk-rock storytelling had already built a loyal following. Fans leaned into his grooves and easy confidence, singing along and swaying as if they’d known him for years. Mason’s voice carried that blend of grounded honesty and sly charm—anchored by a setlist that had Instagram followers buzzing with news of his European run this fall.
Willy Mason took the stage just past 8 PM, and from the first chord he had the house leaning in. He opened with a song that immediately drew in the crowd — gentle guitar picking, warm vocals, the kind of opener that says “you’re in for something honest and raw.”
Throughout his set, he moved between more introspective numbers like “Talk Me Down” and “Restless Fugitive,” pulling the room into his orbit with lyrics that landed hard in moments of quiet and bursts of full band energy.
He closed with “We Can Be Strong”, a winner for wrapping up — hopeful, melodic, with a swelling sense of connection that sent people out of his set ready for more. As he left the stage, the energy was at a boil, the room humming. His music warmed up the space, and by the end of his set, the room was primed.
Down in the photo pit, just before Wolf Alice appeared, fans at the barricade swapped stories of the road. Three had traveled from Brooklyn, arriving the night before and staying up nearly all night just to make it to the front rail. Others nearby talked about coming in from several hours away—moms dancing alongside daughters, groups of friends linking hands, couples leaning close. All of them agreed: “Everyone loves their vibe.”
Wolf Alice took the stage in near darkness, the crowd erupting before a single note was played. They opened with a slow-burn track, Ellie Rowsell’s voice delicate and haunting, harmonies stretching across the venue like something apocalyptic, weaving into the bones of everyone packed inside.
But the restraint didn’t last long. Midway through, the band flipped a switch—punk energy crashing in with ferocious guitar lines rumbling like a freight train. Ellie grabbed a bullhorn for one of the night’s most chaotic moments, her voice distorted and searing over relentless drumming. The pit erupted.
The dynamics kept shifting—moments of quiet intimacy followed by thunderous crescendos. A highlight came when the band circled in for an acoustic song, hushed and raw, before the drummer took the mic to sing the next number to massive cheers. The crowd swayed, hands in the air, soaking in every surprise.
From anthemic ballads that had strangers holding hands, to frenetic dance songs that left the floor shaking, Wolf Alice proved why their shows are more than concerts—they’re experiences that leave fans wanting more. Their closing track sent the venue into one last, euphoric eruption. Fans sang as if they were part of the band itself, a choir of voices spilling out into Lansdowne Street.
When the final notes rang out, it felt less like an ending and more like a spark—a light Wolf Alice leaves behind, even as they head off to the next city.
Wolf Alice’s sold-out House of Blues show was a night of movement, emotion, and connection. From the Brooklyn fans running on no sleep, to the couples dancing together, Boston witnessed something unforgettable. Their harmonies and raw energy stitched together a community of music and love that will linger long after the amps went quiet.
Review: Bonnie for WSCA FM, Portsmouth Community Radio
Photos: Bonnie M
Instagram: @photographybybonnie
Tiktok: @photographybybonnie
Mixtape with Bonnie's Stage Storm: Fall 2025
Boston, MA — September 19, 2025
Boston’s Roadrunner was alive with electricity Friday night as Yungblud brought his sold-out North American tour to town. Fans from across the U.S. and Canada packed the venue, eager for a night that blended youthful chaos, heartfelt moments, and the surprise debut of a brand-new song.
Opening the evening was Arkansas native Sawyer Hill, accompanied by three young, dynamic musicians. Hill quickly captured Boston’s attention with a mix of original tunes and a soulful take on a Johnny Cash cover.
Wearing signature red boots and tossing his long hair with every guitar strum, Hill charmed the crowd with stories about small-town life and the path to making music. His smooth, rich vocals and infectious energy set the perfect tone for the headliner. Meeting up with the fans post set won over a new set of fans for many years to come.
As the lights dimmed, the room filled with chants of “Yungblud!” Moments later, the British rocker burst onto the stage with his opener, “Hello Heaven, Hello.” Within seconds, he ditched his leather vest, climbed the drum riser to douse himself with water, and returned to center stage — soaked, grinning, and ready for 90 minutes of pure rock ’n’ roll.
Fans waved handmade signs asking for kisses, tattoos, and birthday shoutouts. The atmosphere was electric, with attendees ranging from wide-eyed teenagers to veteran music lovers reliving their youth.
Halfway through the set, Yungblud paused to share something special: the live premiere of “My Only Angel.” As the first chords rang out, the room erupted. Boston became the very first city to hear the new track, and fans soaked up every moment, singing along by the second chorus.
Yungblud kept the energy high with crowd favorites like Fleabag. He invited a fan onstage to join in, then halted mid-song to pass water to someone in need, reminding the audience, “At a Yungblud show, we take care of one another — that’s what rock ’n’ roll is about.”
Soon after, he climbed over the barricade, balancing on outstretched hands as he sang, surfing the sea of fans before making his way back to the stage — nearly losing his chaps in the process.
From Sawyer Hill’s soulful opener to Yungblud’s unrestrained spectacle, Roadrunner delivered a night that Boston’s music lovers won’t soon forget. With just a few dates left on his completely sold-out North American tour, Yungblud proved why his shows are a must-see
Boston is already counting down the days until the genre-bending artist returns to light up the city once again.
Review: Bonnie M for WSCA FM, Portsmouth Community Radio
Photos: Bonnie M
Instagram: @photographybybonnie
Tiktok: @photographybybonnie
Setlists & Snapshots: Mixtape with Bonnie’s Summer Tour 2025
Gilford, NH — September 14, 2025
A night of rock ’n’ roll — it’s just what our world needs right now. There’s nowhere else where thousands gather for the same reason: music. Everyone felt the same vibe and was excited for a night of head banging, fist raising, crowd surfing sing alongs.
Before doors even opened, the skies threatened chaos — rain, thunder, the works. But once the skies cleared, you could practically feel the anticipation crackle in the air. A sold-out crowd packed the house at Bank of New Hampshire Pavilion. As the air temperature dropped, the stage kept getting hotter and hotter. Rock would be the warm blanket tonight.
Bank of New Hampshire Pavillion offers up the Hazy Little Stage to local band Houselights, priming the crowd for the big night ahead.
Return to Dust, the four-piece from Midlothian, Texas, came out with more than 30 minutes of hell-raising metal. They’ve known each other since middle school, and it shows — in the tightness, the camaraderie, and that fearless energy.
Setlist Included: Summer Rain - Shine - Face Down
Killer set. Surprising support from early arrivals.- and expect nothing less than continued support for this foursome. Young voices growing in confidence. Looking forward to hearing more from these guys as they earn their "on the road" stripes.
By the time Three Days Grace hit the stage, the energy was electric. The crowd chanting “Three Days Grace!” created an electric energy no one could deny. Early crowd surfing broke out, and you could see how badly folks wanted to be part of something big tonight.
Set included: Animal I Have Become - So Called Life - Break - Rooster (Alice in Chains Cover) - Never Too Late - Riot
Right as Three Days Grace launched into Animal I Have Become, the stage exploded in white strobes, slicing through darkness and illuminating the crowd like lightning. For that moment, you felt everyone breathing together — every flashlight, every crowd-surfing hand caught in the beams. The Alice in Chains cover “Rooster” was unexpected, the kind of curveball that gets people talking. Then “Never Too Late” had everyone singing along under the open sky. “Riot” left no room for silence. The kind of energy that Three Days Grace brings to their fans is returned 10x!
As Breaking Benjamin took the stage around 9:45 PM, the pavilion pulsed with expectation. And they didn’t just meet it — they exceeded it.
With Ben's son on stage, you could feel it — the lineage is real, the passion passed down. The future of rock is growing up right before our eyes.
Setlist Included: Awaken - Blow Me Away - The Diary of Jane - Dear Agony - Dance with the Devil - Polyamorous
Breaking Benjamin’s lighting rig was next-level: razor-sharp spotlights followed Benjamin Burnley across the stage, shifts from saturated crimson to deep sapphire during Dear Agony, then full flood washes of golden white for I Will Not Bow. Even though it was hard to get a clean photo without blur, the energy was undeniable. They pulled off explosive moments — “Dance With the Devil” creeping in darkness, “You” bringing intimacy, then raising the roof with “I Will Not Bow” and “The Diary of Jane.” Breaking Benjamin's fans showed up from all over and didn't want to go home - the night could have gone on forever.
From Houselights’ intimate beginnings, through Return to Dust’s unbridled rising energy, Three Days Grace’s classic anthems, to Breaking Benjamin’s performance — tonight was more than just a concert. It was proof that the next generation is here, that community still matters, and that rock ’n’ roll still burns with passion.
To everyone there: you didn’t just witness a show, you lived a moment. And Gilford will remember this one for a long time.
Review: Bonnie for WSCA FM, Portsmouth Community Radio
Photos: Bonnie M
Instagram: @photographybybonnie
Tiktok: @photographybybonnie
Setlists & Snapshots: Mixtape with Bonnie’s Summer Tour 2025